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Tony Amendola returns as Father Perez after appearing in Annabelle, yet given the folklore being drawn upon here, he feels like the perfect casting and not just an excuse to drop in a familiar face. It shows that if you really do want to do shared world-building (pay attention Dark Universe and DCEU), you have to do it slowly, balancing between direct spin-offs like Annabelle and new ideas that allow incremental growth to the universe.
#The curse of la llorona ending explained movie
The Curse of La Llorona is the sixth movie in The Conjuring universe, and the first not directly connected to one of the Conjuring movies. Hopefully, we'll see Rafael back in more Conjuring Universe movies. It's a performance as loco as his time as manic drug-boss Tuco Salamanca in Breaking Bad, but now it's like he's playing Doctor Strange, with the same 90% deadpan and 10% snark. Cardellini does all the heavy lifting you'd expect of a horror movie protagonist, but it's Cruz who steals the show. Keeping the casting Latino/Latina is a nice trick, and even Cardellini's heroine is meant to be the wife of a Mexican-American cop, keeping everything in the barrio, so to speak. There's a restraint there which shows that the director and producers know they have to refine the experience to retain a horror edge. The use of shadowy figures, half-glimpsed reflections in puddles and mirrors, as well as bringing the titular monster into the shot but just out of focus allows a slow creeping horror over just sudden shock. How many jump-scares is too many is a personal preference, but the film opted for a few less than average and it works. But at this point, six movies in, The Curse of La Llorona knows what it's doing and does it just fine. There are jump-scares, the standard "big book of monsters" interpretation of folklore, and a ready supply of mystically inclined oddballs just a phone call away. Straight off the bat, The Curse of La Llorona is nothing new for horror or even the Conjuring series. When you have demons, of course, you need an expert, in this case, it means the eccentric curandero, or faith healer, Rafael (Cruz), who literally has a bag of tricks to deal with errant spirits. And so the curse of La Llorona, the weeping woman, having claimed Patricia's, is now passed onto Anna and her children.
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Meaning well, of course, the kids are put into foster care and Patricia arrested for endangerment.īut Anna doesn't know the tale of La Llorona, who drowned her children to spite her cheating husband, and now hunts children to replace her own missing babies. Following on from a truancy investigation into the children of Patricia Alvarez (Velásquez), Anna finds the kids locked in a heavy barricaded wardrobe adorned with eye sigils and surrounded by candles. Set in 1973 in Los Angeles, widowed social worker Anna (Cardellini) is raising two kids and trying to do the best for the children she is tasked with protecting. The film is the directorial debut of Michael Chaves, who is also directing the upcoming The Conjuring 3, and stars Linda Cardellini, Raymond Cruz and Patricia Velásquez. Returning to The Conjuring Universe, this time it's the weeping woman of Mexican folklore to be battled in The Curse of La Llorona (that's pronounced "la Jo-Ro-Na" it's not like the double L in llama).